O uso de simulações e cultura popular para o ensino de Relações Internacionais
Simulations and Pop Culture as tools to teach International Relations
Resumo
Este artigo apresenta e discute as possibilidades advindas da utilização do instrumental do aprendizado ativo em cursos de Relações Internacionais (“RI”) no Brasil. Mais especificamente, trata do uso de duas estratégias que enriqueceriam o processo de aprendizado. Estas são a combinação do recurso a material de leitura não-tradicional, com ênfase em elementos de cultura popular, e o desenvolvimento de simulações e jogos em sala de aula. Esses elementos complementariam o ensino tradicional em ao menos três aspectos. Primeiro, ao apresentar situações familiares aos estudantes. Segundo, a partir do estímulo do desenvolvimento da habilidade de resolução de problemas baseado no conhecimento constituído. Finalmente, ao construir conexões significativas entre o que se estuda e a realidade que os cerca. Deste modo, proponho que tais recursos possibilitam e facilitam a constituição de um ambiente pedagógico com resultados mais duradouros e, consequentemente, a oferta de ferramentais mais eficientes para o aprendizado do aluno.
Downloads
Referências
• Asal, Victor. 2005. “Playing Games with International Relations.” International Studies Perspectives 6: 359–73.
• Asal, Victor; Blake, Elizabeth L. Creating Simulations for Political Science Education. Journal of Political Science Education, v.2, n.1, 2006.
• Barr, Robert B, and John Tagg. 1995. “From Teaching to Learning: a New Paradigm for Undergraduate Education.” Change, 13–25. http://critical.tamucc.edu/~blalock/readings/tch2learn.htm.
• Baudot, Barbara. 2010. “Art in International Relations.” In The International Studies Encyclopedia, edited by Robert A Denemark, 1–15. Blackwell Publishing.
• Blanton, Robert G. 2012. “Zombies and International Relations: a Simple Guide for Bringing the Undead Into Your Classroom.” International Studies Perspectives 14 (1): 1–13.
• Bleiker, Roland. 2009. Aesthetics and World Politics. New York: Palgrave Macmillan.
• Burgan, Mary. 2006. “In Defense of Lecturing.” Change, no. November/December.
• Buzan, Barry. 2010. “America in Space: the International Relations of Star Trek and Battlestar Galactica” 39 (1). SAGE Publications: 175–80.
• Carter, Ralph G. 2010. “Teaching with Case Studies.” In The International Studies Encyclopedia, edited by Robert A Denemark, 1–12. Blackwell Publishing.
• Carvalho, Gustavo. 2013. “Virtual Worlds Can Be Dangerous: Using Ready-Made Computer Simulations for Teaching International Relations.” International Studies Perspectives 15 (4): 538–57.
• Dale, Crispin, and John M Pymm. 2009. “Podagogy: the iPod as a Learning Technology.” Active Learning in Higher Education 10 (1): 84–96.
• Derian, Der, James, and Michael J Shapiro, eds. 1989. International/Intertextual Relations: Postmodern Readings of World Politics. New York: Lexington Books.
• Drezner, Daniel W. 2015. Theories of International Politics and Zombies - Revived Edition. Princeton University Press.
• Engert, Stefan, and Alexander Spencer. 2009. “International Relations at the Movies: Teaching and Learning About International Politics Through Film.” Perspectives 17 (1): 83–104.
• Fishel, Stefanie, and Lauren Wilcox. 2017. “Politics of the Living Dead: Race and Exceptionalism in the Apocalypse,” 1–21.
• Grayson, Kyle, Matt Davies, and Simon Philpott. 2009. “Pop Goes IR? Researching the Popular Culture - World Politics Continuum.” Politics 29 (3): 155–63.
• Heath-Kelly, Charlotte, and Lee Jarvis. 2017. “Affecting Terrorism: Laughter, Lamentation, and Detestation as Drives to Terrorism Knowledge.” International Political Sociology, 1–18.
• Inoue, Cristina Yumie Aoki, and Matthew Krain. 2014. “One World, Two Classrooms, Thirteen Days: Film as an Active-Teaching and Learning Tool in Cross-National Perspective.” Journal of Political Science Education 10 (4): 424–42.
• Jackson, Patrick Thaddeus. 2010. The Conduct of Inquiry in International Relations: Philosophy of Science and Its Implications for the Study of World Politics. Londres e New York: Routledge.
• Kember, David, Amber Ho, and Celina Hong. 2008. “The Importance of Establishing Relevance in Motivating Student Learning.” Active Learning in Higher Education 9 (3): 249–63.
• Kille, Kent J. 2002. “Simulating the Creation of a New International Human Rights Treaty: Active Learning in the International Studies Classroom.” International Studies Perspectives 3 (3): 271–90.
• Kille, Kent J, Matthew Krain, and Jeffrey S Lantis. 2008. “Active Learning Across Borders: Lessons From an Interactive Workshop in Brazil.” International Studies Perspectives 9 (4): 411–29.
• Kille, Kent J, Matthew Krain, and Jeffrey S Lantis. 2010. “The State of the Active Teaching and Learning Literature.” In The International Studies Encyclopedia, 1–18. Blackwell Publishing.
• Krain, Matthew, Kent J Kille, and Jeffrey S Lantis. 2014. “Active Teaching and Learning in Cross-National Perspective.” International Studies Perspectives 16 (2): 142–55.
• Lean, Jonathan, Jonathan Moizer, Michael Towler, and Caroline Abbey. 2006. “Simulations and Games: Use and Barriers in Higher Education.” Active Learning in Higher Education 7 (3): 227–42.
• Lebow, Richard Ned. 2000. “What's So Different About a Counterfactual?.” World Politics 52 (4): 550–85.
• Neumann, Iver B., and Daniel H Nexon. 2006. “Introduction: Harry Potter and the Study of World Politics.” In, edited by Daniel H Nexon and Iver B. Neumann, 1–14. Lanham, Boulder, New York, Toronto, and Oxford.
• Powner, Leanne C, and Michelle G Allendoerfer. 2008. “Evaluating Hypotheses About Active Learning.” International Studies Perspectives 9 (1): 75–89.
• Ramanzini Júnior, Haroldo, and Thiago Lima. 2017. “Editorial - Challenges and Pathways of Teaching, Research and Extension in International Relations in Brazil.” Meridiano 47 - Journal of Global Studies 18: 1–5.
• Reeves, Julie. 2004. Culture and International Relations: Narratives, Natives, and Tourists. Londres: Routledge.
• Saideman, Stephen M. 2013. “Pop Prisoner’s Dilemma.” Political Violence at a Glance. April 23. http://politicalviolenceataglance.org/2013/04/23/pop-prisoners-dilemma/.
• Saunders, Robert A, and Jack Holland. 2017. “The Ritual of Beer Consumption as Discursive Intervention: Effigy, Sensory Politics, and Resistance in Everyday IR” 46 (2): 119–41.
• Shapiro, Michael J. 2004. Methods and Nations: Cultural Governance and the Indigenous Subject. New York: Routledge.
• Tetlock, Philip E, and Aaron Belkin. 1996. “Counterfactual Thought Experiments in World Politics.” In Counterfactual Thought Experiments in World Politics, edited by Philip E Tetlock and Aaron Belkin, 3–38. Princeton.
• Tierney, Michael J. 2007. “Schoolhouse Rock: Pedagogy, Politics, and Pop.” International Studies Perspectives 8 (1): iii–v.
• Valença, Marcelo M. 2012. “Combinando Teoria E Prática Na Criação De Um Programa: Experiências Em Um Curso De Guerra E Paz.” Política Hoje 20 (1): 253–79.
• Valença, Marcelo M, and Cristina Yumie Aoki Inoue. 2017. “Contribuições Do Aprendizado Ativo Ao Estudo Das Relações Internacionais Nas Universidades Brasileiras.” Meridiano 47 - Journal of Global Studies 18 (September): 1–15.
• Wang, Ningchuan. 2014. “The Currency of Fantasy: Discourses of Popular Culture in International Relations.” International Studies. Interdisciplinary Political and Cultural Journal 15 (1): 1–13.
• Zagare, Frank C, and Branislav L Slantchev. 2010. “Game Theory and Other Modeling Approaches.” In The International Studies Encyclopedia, edited by Robert A Denemark, 1–16. Blackwell Publishing.
Copyright (c) 2020 Estudos Internacionais: revista de relações internacionais da PUC Minas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
1. Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
2.Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.
3.Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja O Efeito do Acesso Livre).